Dossier: Federico Fellini (Italia, 1920-1993)

Authors

  • César Pita Universidad Peruana de Ciencias Aplicadas - UPC
  • Juan Carlos Martínez Pontificia Universidad Católica del Perú

DOI:

https://doi.org/10.19083/cinescrupulos.v1i2.1291

Keywords:

Federico Fellini, surrealism, Italy, filmography, neorealism, circus

Abstract

The fellinian moment is not the reductionism around the circus, but it lies in what slapstick implies: exaggeration, iconoclast behaviour, carelessness and self-confidence, the confusion between fantasy and reality, the construction of improbable characters, the sensation of attending a show commanding by thedirector voice. That’s why we love Federico. And we love so much.

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Published

2020-09-07

How to Cite

Pita, C. ., & Martínez, J. C. (2020). Dossier: Federico Fellini (Italia, 1920-1993). CineScrúpulos, 1(2), 63–76. https://doi.org/10.19083/cinescrupulos.v1i2.1291

Issue

Vol. 1 No. 2 (2013): julio-diciembre

Section

Dossier