Paint it black: Orson Welles’s ways in film noir

Authors

  • Andrea Castillo Universidad Peruana de Ciencias Aplicadas - UPC
  • Daniela Galindo Universidad Peruana de Ciencias Aplicadas - UPC
  • Carlos Oré Universidad Peruana de Ciencias Aplicadas - UPC
  • Mirko Sánchez Universidad Peruana de Ciencias Aplicadas - UPC
  • Saulo Villafuerte Universidad Peruana de Ciencias Aplicadas - UPC

DOI:

https://doi.org/10.19083/cinescrupulos.v6i2.1410

Keywords:

Orson Welles, John Huston, Fritz Lang, film noir, Hollywood, expresionism, author cinema, United States

Abstract

Film noir marked an extremely important era in cinema because stories were narrated with new visual aesthetic, as well as for a presence of new look over reality. This film genre collects a series of artistic inheritances captured in movies that give heterogeneous characteristic. But film noir’s classic titles differsfrom Orson Welles’s style, who establishes his own look and opens new paths to cinema.

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Published

2021-01-28

How to Cite

Castillo, A. ., Galindo, D., Oré, C., Sánchez, M., & Villafuerte, S. (2021). Paint it black: Orson Welles’s ways in film noir. CineScrúpulos, 6(2), 119–124. https://doi.org/10.19083/cinescrupulos.v6i2.1410