Expression and cinematographic identity: Licorice Pizza in P. T. Anderson’s work

Authors

  • José Santisteban Universidad Peruana de Ciencias Aplicadas, Programa Académico de Ciencias de la Computación
  • Freddy Rojas Universidad Peruana de Ciencias Aplicadas, Programa Académico de Comunicación Audiovisual y Medios Interactivos

DOI:

https://doi.org/10.19083/cinescrupulos.v10i2.1841

Keywords:

Paul Thomas Anderson, auteur cinema, postmodernism, visual style, cinematographic universe

Abstract

Author cinema stands out in a world full of formulaic films and gives something different tothe viewer in movie theaters. With “Licorice Pizza” (Anderson, 2021), a 2022 Oscar nominatedfilm, Paul Thomas Anderson claims to be one of the best directors of the first decades of21st century. Despite several productions of an intimate nature, it is worth asking what placethis new film occupies in cinematographic universe of North American filmmaker.

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Author Biographies

José Santisteban, Universidad Peruana de Ciencias Aplicadas, Programa Académico de Ciencias de la Computación

   

Freddy Rojas, Universidad Peruana de Ciencias Aplicadas, Programa Académico de Comunicación Audiovisual y Medios Interactivos

   

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Published

2023-07-24

How to Cite

Santisteban, J., & Rojas, F. (2023). Expression and cinematographic identity: Licorice Pizza in P. T. Anderson’s work. CineScrúpulos, 10(2), 127–142. https://doi.org/10.19083/cinescrupulos.v10i2.1841

Issue

Vol. 10 No. 2 (2022): julio - diciembre

Section

Artículos

License

Copyright (c) 2023 CineScrúpulos

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.